![]() As a consequence, themes of the house and home play an important part in Hashmi’s work. They moved from Delhi in India to Karachi in Pakistan, where Hashmi’s sister still lives. Immediately after her departure, her family was required to relocate due to the partition of India and Pakistan, resulting in the loss of the family home. Since her departure from India in 1958 to accompany her husband Saad Hashmi, a military officer engaged in international diplomacy, in his travels around the world, the artist has moved frequently between cities, countries and continents. As the title indicates, Letters from Home acts as a preserved archive of the letters sent to Hashmi by her sister over a period of time. ![]() The series was made in Hashmi’s New York studio in 2004. Hayter (1901–1988) at Atelier 17 in Paris from 1963 to 1967, and Letters from Home reflects her training across a variety of printmaking techniques. Hashmi studied printmaking with the renowned English painter and printmaker S.W. Hashmi printed the works herself, publishing the portfolio in an edition of twenty, of which Tate’s copy is number nine. The letter imprint was then surrounded or overlaid by the outline of a house, a floor plan or the map of a geographical location, using a woodblock print. From the letters, the artist made printing plates which she used to print onto handmade Kozo paper. ![]() Letters from Home is a portfolio of eight monochromatic woodblock and metalcut prints, produced using original letters written in Urdu to Zarina Hashmi by her sister Rani.
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